Ruimte voor de spelende mens (Room to play) presents The Hague’s dream to become a utopian city based on artist Constant Nieuwenhuys’ New Babylon. Here the city is an environment where its inhabitants can focus solely on their creativity and exist as homo ludens, ‘playing man’.
This financial report documents the cultural budget distribution across the many institutions in The Hague. The document details the government’s spending for the following four years in comparison to previous.
Fulfilling the city’s dream, the design of the report actually gives the reader the opportunity to play. The content is divided into seven books which form a tangram puzzle. ‘Alles moet mogelijk blijven, alles moet kunnen gebeuren’ (Everything must remain possible, everything can happen), the report’s ethos, is emphasised through the tangram’s ability to form infinite combinations.
As a tangram puzzle the previously dry and complex document is transformed into one of creativity and joy. Additionally, the shapes of the tangram become an abstraction of The Hague’s visual identity of which the report is designed within.