The kiln, the ceramicist’s oven, plays a major role in the ceramic process. Ceramicists can spend weeks creating their object yet when it is placed into the kiln all control is taken out of their hands. Even the most proficient ceramicist on opening the kiln after firing cannot predict the outcome – it could be perfection or disaster.
To experience this excitement, anxiety and surprise, the reader must literally bake the white book in an oven – watch and wait – all is revealed as the heat transforms the cover and reveals the design.
Taking Ceramics I discusses the topic of mistakes with several past artists-in-residence from the European Centre of Ceramics’ (EKWC) . Playing with the subject, the book’s layout emphasises fragility, splitting content over pages and positioning it precariously close to the edges.
The special edition furthers this theme with its 1mm thick porcelain cover. Inevitably, whether through the sheer weight of other books or mishandling the cover will crack. The reader, like the ceramicist, learns to accept and appreciate the beauty of mistakes.